For eight years I worked as a freelance sports photographer for Getty Images, covering major sporting and entertainment events across New Zealand. The 2011 Rugby World Cup was a career landmark — weeks of high-stakes, split-second timing in stadiums packed with emotion. A few years later I found myself at the opposite end of the spectrum, shooting an Elton John concert in Dunedin: one frame, one moment, under pressure, with no chance of a redo.

That world taught me to read light fast, anticipate action, and deliver technical precision when it mattered most. But over time I felt the pull toward something slower. Landscape photography doesn't reward reflexes — it rewards patience. Returning to the same ridge in different weather, waiting for the moment when light, cloud, and land come together. It's a different discipline, but the same obsession with the decisive moment.

I've spent the last five years photographing landscapes across Aotearoa New Zealand, based in Queenstown. The same eye for timing and composition I honed in sports now reads the mountains — knowing when a storm will break, when the last light will hit a peak, when the frame is exactly right.

Quiet collaborations with the landscape.